|
Door Chime Tubular Bells
The tubular
bells of long bell chimes can cause the biggest problems because they are the most
difficult to solve.
The bells
are very simple in concept-- just long thin-wall tubes, cut to special
lengths for tuning, plugged at one end with some sort of hanger attached.
In some cases the plugs provide the base for the hanger. In most cases, the
plug serves to provide substance where the plunger strikes, which somehow
contributes to volume and resonance. It is very important that the
bell hanger loop is the correct length so that the plunger strikes the bell
directly in the plugged region.
The tubular
bells can have a couple of problems. Most significantly, cracks at the
ends. Many older bells have a crack of about 2” long at the plug end. I’ve
seen so many like this that I conclude that it is a fairly normal state, as
opposed to the result of abuse. I suspect that the force of the metal or
plastic plug pressed into the top end is the cause. The cracks are visible
only upon close inspection, so are of little cosmetic consequence;
unfortunately they can cause tonal problems. In the worst cases they can
cause the bell tone to have a buzzing character and perhaps slightly affect
volume. The crack may have less effect on tone if the bell is placed so
that the crack is away from where the plunger strikes. Theoretically I suppose the crack could be
brazed and reshaped, but that seems dicey—not to mention difficult. My
sense is that cracked bells stay cracked.
One really
nasty problem is finding a chime with bells that have been cut for reasons
unknown. I saw one on eBay recently where the lengths were visibly not
right. Hard to say what bad history had transpired. Maybe someone
tried to “fix” a cracked bell by cutting off the cracked part. Maybe a
bell or two had been dropped and bent, so the bent part was cut off. In any
case, it is possible to retune the bells by adjusting the length.
Below are a
couple charts of some known bell set lengths that may be helpful guidance
for retuning or making replacement bells. All 4-bell sets are for the
classic
Westminster
chimes tune. Two bell ding-dong tones are less standardized and the note
ratios vary among those I have surveyed.
|
4 bell lengths - in inches |
|
1 |
2 |
3 |
4 |
|
43-1/4 |
37-1/4 |
35 |
33-5/16 |
|
43-27/32 |
37-21/32 |
35-19/32 |
33-1/4 |
|
44 |
37-15/16 |
35-3/4 |
33-5/8 |
|
46-1/16 |
39-9/16 |
37-1/4 |
35-3/16 |
|
|
|
|
|
|
|
|
|
|
|
2 or 3 bell lengths - in inches |
|
1 |
2 |
3 |
|
37-3/8 |
34-1/8 |
for chimes
with third dummy tube, dummy typically same as short tube |
|
39-3/8 |
35 |
|
39-7/8 |
35 |
|
43-5/8 |
38-7/8 |
|
44-5/8 |
39-1/4 |
|
|
|
.888 |
|
|
|
|
I occasionally
get a question about fitting a long bell chime into a niche that isn’t quite
long enough. I usually advise that a more modest 2 or 3-bell chime with
shorter tubes would be the best answer… but then I found this notation in
some NuTone literature from 1949:
“FOR SPECIAL SERVICE-- If you have any special problems
(such as shortening of tubes for small niches, apartment house installation,
etc.) write giving full details to NuTone Inc.,
Cincinnati,27
OHIO,
U.S.A.”
So there you
have it, you could actually get NuTone factory customized lengths.
Another issue
with old bells is cosmetic. Every set I’ve seen suffers from
discoloration—overall or localized dark and dull areas or spots of tarnish under the clear coat. Given that
it is under the coating, there is no simple remedy, and even if you could
spot polish the blemishes, they would never match the original radial
brushed finish. I have developed a technique to totally refinish the
bell to original appearance. I spin polish the entire length of the
bell. My method involves making a tapered mandrel sized to fit
into the open end of the bell. The mandrel can be made on a lathe, or a
short tapered furniture leg can be used instead. I chuck the mandrel
into an electric drill and spin the bell while gently holding fine sandpaper
against the bell. The old finish and whatever tarnish is sanded off,
and a new radial spun brushed finish is created—just like the original.
This must be done with gloved hands, as any hand oils will cause irregular
tarnish spots. Once an even appearance is achieved, immediately clear
coat the bell with a spray gloss finish.
Metal
polishing is one of the tasks that you can generally get someone local to do
for you. However, all the bell polishing that I've seen done by others is
either a general bright unbrushed finish or brushed in a lengthwise
direction. This does not result in the shimmer of the original radial
brushed style that most vintage chimes had.
But the really
tough problem with bells is that they have a nasty habit of going AWOL. A
chime without bells is like... well, sorta quiet. There are a limited
number of solutions. Theoretically, new bells can be ordered from NuTone,
but if so, they would surely be the new style with molded hanger hooks, so
some improvisation to adapt to older hangers would be needed. Alternatives?
Buy another whole chime and scavenge the bells. Or make new bells from
scratch. Tuning by ear is unbelievably difficult, so refer to the
chart above for various known length combinations to serve as a guide. Getting the
correct spin brushed look is covered above. Beyond that there is devising
an end plug and hanger loop of correct length. There is just a whole lot to
making bells, and while I have done it I don't relish the task and don't
wish it upon any amateur. My advice: support your local wind chime crafter
and commission the work.
A
Older
bells have a metal plug in the upper end; newer models have a plastic plug.
Note the typical longitudinal crack, which I believe is caused by stress
from the pressed-in plug.
B
Typical tarnish and discoloration on an older bell set. Seems like every
one of these I've seen on eBay is described as "just in need of a little
polishing". Perhaps it's that easy in some parallel universe, but not here
on Earth.
C
My polishing technique. Tapered mandrel is pressed into bell and rotated
with a power drill, while “brushed” with fine sandpaper. Brass must be
clear coated immediately before tarnish sets in.
D
Old bells freshly refinished with new radial brush finish and clear coat.
E
Bells which
have had a really bad case of corrosion may have a cosmetic condition that
can't be entirely corrected.
Corrosion
can be so bad that it causes pits in the surface, just the way rust does on
steel. The pits have a reddish orange color to them. In the worst
cases, it is not possible to sand deep enough to remove the pits without
effecting the integrity of the bells. I have tried removing the
discoloration with a mild acid, though have not have success with that
process. While the "age spots" are quite visible in the photo, in real
life, they really are not very noticeable.
F
Ugh-- here's something I hate see. End damage here seems to be the
result of being dropped, maybe when an ancient hanger loop broke, which
happens. This damage was tapped out using a
wrench
socket as a dolly. Not really a huge problem if bell is to be
refinished.
G
Here's an usual bell design by Nutone, patented in 1939. Bells of
course have to be plugged at the end to provide a very solid region to
strike. In this case that solid feature consists of a rod that extends at
the top of the tube,
referred to as
an anvil in the patent description.
The sound quality is outstanding. The down side is that given the
lower attachment point, the strike of the plunger has more leverage to move
the bell so it tends to wobble quite a bit when struck. The design was
very short lived and surviving examples are rare.
H
My first
attempt at making bells from scratch. Lots of work, but turned out great.
Click on
"door chimes" above to see other related topics.

I am a
lot more skilled at fixing old door chimes than I am dealing with search
engine optimization, so here a few terms and phrases that might help
surfers find me.
vintage
door bell vintage doorbell vintage doorbells
vintage door bells antique door bell antique door bells
antique doorbell antique doorbells
|